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Matt Lyon

Film & Television Editor
  • Work
  • Bio
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Featured
Cameras roll on YOUNGBLOOD reboot
CODE 8 PART II is Best Picture Editing winner at 2024 DGC Awards
CODE 8 PART II and WILFRED BUCK receive editing nominations for 2024 DGC Awards
Paramount debuts trailer for THE SILENT HOUR, sets release date
CODE 8 PART II debuts as number one global film on Netflix
THE HOBBY lands world premiere at SXSW 2024
Netflix debuts trailer for CODE 8 PART II, sets release date
Joel Kinnaman and Mark Strong Lead Action Thriller THE SILENT HOUR
RLJE Films Buys Peyton List Horror-Thriller THE FRIENDSHIP GAME
Malta picks CARMEN for best international film Oscar race
HBO Max & Cartoon Network Team On HOME SWEET ROME Comedy Series
CORNER GAS ANIMATED wins at 2022 Canadian Screen Awards
‘Schitt’s Creek’ Star Emily Hampshire Heads Horror Movie MOM
KICKING BLOOD premieres at TIFF 2021
Netflix Lands Worldwide Rights To Sci-Fi Sequel CODE 8: PART II
Recent Work :: RAPTORS x PS5
DEATH OF A LADIES' MAN named Best Narrative Dramatic Feature at Cinequest Film Festival
Lionsgate announces release date for FLASHBACK, debuts new trailer
DEATH OF A LADIES' MAN coming soon to select theatres and streaming services
FOR THE RECORD announces international premiere at SXSW 2021
Sound design tutorial: quick and easy outdoor PA with slapback in Adobe Premiere
Sound design tutorial: quick and easy audio futz effect in Adobe Premiere
Pre-festival buzz for DEATH OF A LADIES' MAN
DEATH OF A LADIES' MAN selected as special presentation at The Whistler Film Festival
Dylan O’Brien talks THE EDUCATION OF FREDRICK FITZELL with deadline.com
THE EDUCATION OF FREDRICK FITZELL official trailer
DEATH OF A LADIES’ MAN lands a pair of festival dates
THE EDUCATION OF FREDRICK FITZELL to have its world premiere at the 2020 Sitges International Film Festival
HARPOON theatrical premiere
HARPOON trailer

Recent Work :: RAPTORS x PS5

April 20, 2021

This national 30 second spot was a collaboration between the Toronto Raptors, 2K Sports, and Sony Playstation. Cinematography by Jerome Riel and sound by Bloor Street Sound.

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